General – Andrew the Hopeless Techie

General

Fragmented Viewing – Streaming Service Nightmares

Some groundwork being Laid

It is no secret that the world of entertainment consumption changes to keep up with the times, after all, Netflix disrupted the established norm for home viewing and essentially killed (or took part in killing) established norms like Blockbuster Video. With that knowledge should it come as any surprise that Netflix is in turn being disrupted by niche streaming services? I am getting ahead of myself though so let me start at the beginning.

For years after the rise of giant Netflix companies have tried to tobble the giant by making their own version of an true digital experience for consuming content. Out of all the competitors, the biggest ones to gain any kind of foothold were Hulu and Amazon Prime Video. However, none of them offered direct competition as the content providers for these services oftentimes would license content to all 3 streaming service.

Netflix was not always the streaming giant that it is now though, once upon a time they were a DVD mailing service one Blockbuster I am sure saw little to no threat from. It was not until Netflix decided to focus a majority of its time and resources into becoming the Streaming service it is now that Blockbuster started to worry and subsequently would relent to. Sure they tried to stay relevant by starting their own DVD mailing service for a while, ultimately it failed resulting in a void in the home entertainment market.

Hulu came about as a way to allow traditional Television networks to host their content in a digital platform without maintaining their own Digital infrastructure, something which at the time was largely needed. Over time both Netflix and Hulu branched out and began making their own content in an effort to stay relevant as Networks were now experimenting with VOD platforms allowing their shows to be viewed a week sometimes a day after it aired on TV. Amazon, of course, followed suit with their own original content and so the start of the digital entertainment empire began.

Now for several years we got Netflix and Amazon basically dishing out tons of original content while continuing to make digital access to other studios content easier for the masses. Hulu would occasionally release an original series but had nowhere near as much success as the two giants in the new emerging industry. As the studios watched the success of these three main entries into the Digital space they secretly began to make plans that would result in the eventual creation of several streaming services specific to their IP (Intellectual Property).

Rise of studio-specific streaming services

It started slow of course and oftentimes free, as we got services like CW Seed, a streaming service that was add supported but allowed old shows WB and the CW had either abandon or canceled to be revived in a digital format for consumption. Over time they started adding old movies as well and toyed with small run animated series that were based on their popular tv shows like The Flash and Arrow.

As time went on the larger studios behind the characters in these shows began to see the benefit of an online presence that was unique. Slowly rumors of things like DC Universe and Disney Plus became more frequent, eventually resulting in those services becoming reality. Each service offered something that you could not get from the giants like Amazon or Netflix, such as digital forms of comic books or concept art included with your subscription to these services. DC Universe, for example, offers access to most of their DC-related movies and content (with the exception of stuff they have licensed out like The Flash tv show which ironically is on CW which is part of DC) as well as a huge backlog of comic books in digital form free of charge to those who subscribe to the service.

For a while these services were not as disruptive as they might have seemed at first glance, enter Disney Plus. Disney Plus, however, was disruptive before it even launched just the idea of it coming caused concern among fans that content related to Disney IP would be pulled from existing platforms such as Netflix in favor of their own service. By this point shows like Luke Cage and Jessica Jones were popular on Netflix as they were Netflix original creations but the characters belonged to Marvel which was purchased by Disney.

You may be able to see where this is going, after a few years Disney pulled the plug on a lot of their licensing deals with 3rd parties such as Netflix quietly preparing for the giant that would become Disney Plus. Shows that we as fans had grown to love (or hate depending on your views on the later seasons) were canceled and pulled from Netflix and no explanation was officially given while the general consicous was Disney Plus. This went further than Netflix however, shows that were slated to be made were later canceled for again mysterious purposes, shows like the Ghost Rider series that was supposed to launch on Hulu starring Gabriel Luna’s version of the character as first shown on Agents of Shield.

Again Disney stays quiet on the reasoning for this not wanting to admit what fans had suspected (though we have not been able to confirm), Disney Plus! All of this is happening and Disney Plus is still a year or so away from launching, it is having this much of a polarizing effect and it is not even launched yet at this point. Fast forward to November 12th, 2019, Disney Plus is unleashed on the world. So far it has been everything Disney claimed it would be allowing access to almost all of their IP including several Animated Classics. The Launch did not go without its own issues however but that is beyond the scope of this post.

Around this time we have started getting what I call Micro streaming services starting up by the premium TV channel companies like HBO and Starz. These are all at first welcomed additions as it allows people who have canceled their cable to watch content originally only viewable through these channels. However lately they have branched out into a separate streaming service altogether (different from the one you purchase to watch shows online from the actual channels) such as HBO Now.

Content goes Service Jumping

Now, this is where it gets confusing and frankly irritating, Content platforms such as DC Universe (a paid service remember) start offloading their shows to other streaming services! I am not a huge business guy so I am sure from some weird marketing/Business perspective this makes sense, however, Taking a show such as the Doom Patrol (exclusive to DC Universe well for season 1 anyway) and moving it off one paid streaming service to another new paid streaming service for season 2 is well insane. DC wants you to buy their service to watch the first season of this show and then pay HBO for their service to watch season 2, while this is the only show I know of to do this so far it may not be the last.

In a similar fashion but not quite as annoying, is the new show set to start airing in Q2 of 2020 Stargirl. This show will premier on DC Universe but the next day shows up on the CW like its cousins The Flash, Supergirl and the like. This does not bother me quite as much as it allows for those who may not want to pay to see it on DC Universe the chance to see it on the CW, what is kind of annoying about this is it dilutes the benefit of having paid for DC Universe. Sure there is other content that makes the subscription worth it to people however if this kind of movement becomes a trend it would be both a blessing and curse, It would help those who can not afford the service but weaken the reasons behind continuing to pay for the subscription.

Closing Thoughts

All of this is my roundabout way of saying that the sheer number of streaming services that are rising up can end up making the decision to cut the cord with cable and go online only more expensive than just sticking with cable. As more and more studios launch their own streaming services places like Netflix will become more of a collection of random movies no one needs or really ever wants to see or maybe will result in more original content.

I welcome a few streaming services but when my list of subscription services (or potential ones) becomes longer than 3-5 then, in my opinion, there is an issue. Until someone comes up with a way to pay one Reasonable subscription fee and gain access to all these streaming services I may just have to limit our households to 3.

What are your thoughts? Do you agree with the above? Let me know below let us start a real conversation about where you think Digital content consumption is going.

The above comments are my own personal opinions and should not be taken as the way everyone looks at the situation. I encourage you to do your own research and make your own opinions.

Full Disclosure for the sake of transparency, I currently subscribe to Hulu, DC Universe, Disney Plus and Netflix. I have access to a few streaming services like HBO and Showtime that came with my cable subscription, I do not subscribe to HBO Now or any other similar micro streaming service.

Legion

WARNING: the below contains spoilers for the FX series Legion if you have not watched it be warned plot points will be talked about below a few paragraphs into the article.

I have to admit most new tv these days is becoming less and less interesting as it becomes more watered down for the P.C (Politically Correct) crowd. Increasingly it follows a more cookie-cutter approach to the plot that is often predictable and in the end boring.

Even with this approach some shows still grab my interest, Arrow, Flash, Super-girl just to name a few. Also, I do enjoy a few non-traditional shows ones I call mold-breakers like Doctor Who for example. Another example of a mold-breaking show and the one this article is about is called Legion on FX here in the states (not sure the partner channels in other countries).

From the beginning, this show has intrigued me and at times confused me with its very non-linear perspective and narrative. While the show has just wrapped season 2 and one would assume has begun planning/shooting season 3, it still has an amazing story that keeps you interested from day one and always leaves you wanting to know just what is going. When it finally reveals what is happening, it only leaves you with more questions.

Season 2 was the embodiment of this with its constant time jump showing future Sid contradicting what past Sid was doing/saying. This coupled with the increasingly confusing relationship of Amahl Farouk (A.K.A the shadow king) to David, at times it’s a fatherly feeling relationship at other times its a nemesis feeling relationship.

The season focused on two points early on, where David had Disappeared to at the end of Season 1 and his true motives for wanting to find Farouk’s Body. Consistently they show future Sid throughout the first part of the season warning David that regardless of what her past self-states Amahl needs to be revived in an effort to help solve some crisis in the future, purposely being vague with David it creates a sense of mystery about her true motives.

Slowly, you begin to question just weather David is a good guy (spoiler alert if you read the comics he does go evil for a bit), David himself has no doubts about his intentions and very much views himself as the victim. If you have watched season 1 you as the viewer might start sympathizing with David, this is by design and part of the genius about how this series is written.

When writing a multi-dimensional character like David that also happens to have multiple personalities, its I imagine would be most difficult to show which person is the core or true personality. For Season 1 we see him struggle with Farouk trying to control him and later we see him struggling with his fractured mind trying to retain control of himself. With a being as powerful as David, violate his trust or betray him and it is possible for him to become a serious threat. This is what brings me to the meat of this article his ultimate arc through the season and the place he was left at the end.

Leading up to the Finale we witness his friends start to question his true motives and become guarded, Eventually leading to their betrayal of his trust which as mentioned above is not the best option regarding a being this powerful. To be fair David does some questionable and very bad things in the last episode, however, the fallout of that to me seems a bit out of place.

After his battle with Farouk he is threatened by Sid who then tries to kill him, he then tries to erase her memory and proceeds to rape her. Again, this is a horrible act by David and should be dealt with, what does not make sense is that in the next few scenes, David is put on trial by Sid and the entire Division 3 crew. Sid, the person who just hours ago tried to kill David is not trying to reason with him claiming his act of rape and future acts he has not yet committed justify their actions. The rape I get he should be punished for that but judging him on future crimes is a bit extreme, couple that with the fact that the entire season was about finding and destroying Farouk’s Body, they are now allies against David.

Somehow, the entire body of people who he thought his friends are not judging him on events he has not yet committed all the while ignoring that one of them tried to kill him just hours ago. Eventually, try to explain his actions and tells them he is a good person. They apparently feel pity for him but do not believe him so they suggest the one thing that they feel would help Medication and treatment, basically putting him back in the asylum.

This angers him and he makes one final plea to them to reconsider, thinking they have the upper hand they refuse. He then succumbs to the inner demons (his alternate more violent personality), Tells them they had their chance and begins to shake the building to break the barrier holding him. He is successful in his escape and leaves his former friends with the knowledge knowing they basically created the version of David they feared from the videos they received from the future.

Here is where I think the writing is brilliant, in trying to prevent David from becoming what they fear he will become they end up making him that version of himself. What I mean by this is by removing his support system (whether they realize it or not) and making it appear his friends had turned on him especially Sid who he loved, they ended up paying the way for his darker half to take control and begin his reign of torment which undoubtedly will be the premise of season 3. Whether Division 3 realizes this at first is not clear but from my perspective, everything they did to him coupled with what Farouk did to him has to lead him to this. It also was not helpful to have the one person he hates most in the world, the one who in essence killed his sister being there trying to justify their actions against him.

So, while the events may not have played out the exact same way they did in Future Sid’s timeline, he ultimately ended up in the same place. Also, the entire reason she started to suspect him was the way he was acting which they viewed as different, this was a direct result of Future Sid kidnapping him and making him swear not to reveal where he was. If you watch Doctor Who you undoubtedly know the term bootstrap paradox, this is very reminiscent of that by trying to warn past David what Future David would become she set in motion the events that would make David become what she feared in the future.

This leaves me with the question, if Future Sid had not interfered in the past would David still become the monster he is portrayed as in the future? It’s unclear whether this is the case, or even if the thought occurred to current day Sid and company after David disappeared.

I could go on and on but this again is why I love this show it makes you think and keeps you guessing it breaks the mold most shows use nowadays and I love it. What did you guys think of the finale or Legion, in general, is it as intriguing to you guys as it was to me?